Drux Flux

Entre figuration et abstraction, Drux Flux est un film d'animation misant sur un montage dynamique pour illustrer l'écrasement de l'homme moderne par le rouleau compresseur de la performance. S'inspirant de L'homme unidimensionnel du philosophe Herbert Marcuse, le cinéaste déconstruit les paysages industriels et met en cause la suprématie de la technique au dépend de l'humanité. Film sans paroles.

This skilful, finely-detailed animation using puppets and animated drawings exposes the dehumanizing effects of futile work and the fading of youthful aspirations. The Necktie is fifteen years in the life of Valentin, a faithful employee working a useless task in a dead-end job, deceived by a two-dimensional boss. He nonetheless struggles against absurdity with humanity and hope. On his 40th birthday he rediscovers an old accordion hidden in a closet and regains the joy of life. Filmmaker Jean-François Lévesque takes a critical look at work and charmingly illustrates the power of hope. A film without words with mixed traditional and digital techniques.

In keeping with their Sunday tradition, after mass a family flocks to grandma and grandpa's house, where the chaotic discussion soon begins to resemble a raucous gathering of crows on power lines. The local factory has shut its doors and, naturally, the adults can't stop fretting about their money woes. On this particular grey Sunday, a young boy drops a coin on some nearby train tracks out of sheer boredom. Picking the coin up after a train has run over it, he discovers to his astonishment that an amazing transformation has taken place... Sunday, Patrick Doyon's first film, is a magical tale that imparts important lessons about life as seen through the eyes of a child.